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    A Brief History of Peking Opera

    Written by: Mahnoor Fatima
    Posted on: January 26, 2021 | | 中文

    Jingxi troupe performing

    One of China’s most recognizable art forms is the Peking Opera, with its unique arias and breathtakingly colorful characters who glide around the stage. While there are over a hundred opera styles in China, the most popular is the Peking Opera (or ‘Beijing Opera’, also known as ‘Jingxi’) due to its simplicity and influence. What is special about Peking Opera is its ability to combine music and song with acrobatics, martial arts and dance, to not just inspire and entertain but also inform and educate the audience. This art form has undergone tremendous change over a long period of history, but has retained its popularity and identity as representative of Chinese culture.

    In historical records, Jingxi has mainly been credited to four actors from Anhui (now a province in Eastern China), who performed for the Emperor’s 80th birthday in 1790 CE. However, Peking Opera has been an amalgamation of many older regional operas like those performed in Anhui or Hubei. However, over a period of time, the art form grew to have its unique character. Peking Opera was fully established in 1845, while traveling operatic companies performed both on stage and at tea houses. Most notably, the Empress Dowager Cixi (1835-1908) was an enthusiastic patron of this art form: she built two stages in the Summer Palace, and frequently summoned the city’s most gifted artists to perform for her.

    The Peking Opera Stage at the Summer Palace

    Peking Opera is mostly recited in the Beijing dialect, and has strict rules around form and rhyme. It has two main melodies called Xipi and Erhuang, which are similar to Han Opera (an older, more ornate opera genre) as well as the songs sung during shadow puppet theatre. Dialogue in archaic Mandarin often comes as a compliment to song, which is the main driving point of the play. Traditional instruments are used sparingly, and the songs were simple enough for anyone to sing them. Popular operas include, “Farewell My Concubine”, “Drunken Beauty” and “The Heavenly Maid Scatters Blossoms” among others.

    Learning the art of Peking Opera requires a long and arduous apprenticeship, which needs to begin at an early age. The art form is largely transmitted through master-student training, and information is passed down through instruction, observation and imitation. Performers first need to be trained in acrobatics, followed by singing and then acting. Initially, students were picked by a master who would take on the student’s expenses while they trained. The student in turn paid back their debts to their teachers through performance earnings. This system became more standardized with the establishment of schools in 1911. Nowadays, training schools also provide academic studies, and teachers determine the kind of characters a student can play during their career.

    Young Opera Performers from 1900

    There are some overarching tropes of the opera, which have helped the viewers understand the characters. Four common character tropes exist within the opera: the ‘Sheng’ (male lead role), the ‘Dan’ (main female role), the ‘Jing’ (a male character with a unique trait), and the ‘Chou’ (the ugly clown for comedic relief). In early operas, only male performers were allowed to perform, while young boys often played the female roles. Traditionally, the stage settings and props were kept to minimum, and the plot progressed through flamboyant characters with striking features.

    Each character’s face is painted in a distinct expression with specific colors, a practice that goes back to ancient rituals. Their makeup and colors symbolize their disposition and the destiny of their character, offering a combination of beauty and ugliness. For instance, black indicates boldness or selflessness, yellow signifies ambition and cool headedness, and white refers to treachery and ambition. The amount of makeup on a character varies depending on their roles, with the Sheng and Dan wearing minimal makeup while the Jing has complex patterns to reveal his inner complexity.

    Jing Makeup

    Unfortunately, the Peking Opera has had its share of tragedy and reinvention. During the Boxer Rebellion (1900), Peking’s great theatres were burnt down and opera companies dissolved. In response, artists began to experiment with different styles and took on more contemporary topics which advocated social reform. Artists also began to export the Peking Opera to other parts of the world which had Chinese communities residing there. The most famous Peking Opera actor of the earlier half of the 21st Century is Mei Lanfang, who played a key role in introducing Chinese theatre to the West. Between 1930-1935, he performed in the United States and Europe, and inspired the likes of German playwright Bertolt Brecht. He also revolutionized the practice by taking on female students, and giving them the opportunity to tell stories on their terms.

    The Four Famous Dans - Cheng Yanqiu, Shang Xiaoyun, Mei Lanfang and Xun Huisheng

    With the establishment of the People’s Republic of China in 1949, Peking Opera performances took on more contemporary and revolutionary themes, while other topics were censored. Because it was seen as bourgeois and feudal, it was banned during the Cultural Revolution (1960s) and the artists could no longer perform for the public. However, the art form was revived in the 1980’s, but reforms took place to give the Opera more contemporary themes and Western influences, as a way to get young people interested in the art.

    An Opera Performance with Spears

    As of 2010, Peking opera has been declared an Intangible Cultural Heritage of the World due to its powerful legacy with over 200 years of performances, character development and innovation. Many often say that Peking Opera is the soul of the Chinese nation. This may not just be because it showcases the ancient stories which have been very dear to the Chinese for a long time. Peking Opera has undergone many changes and hardships, re-emerging to fit the needs of the current era. It remains an important part of the Chinese identity, and therefore should be wholeheartedly embraced by anyone who wishes to understand and appreciate Chinese culture.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021