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    Art Review: Alif Anar at NumaishGah

    Written by: Muhammad Hamza
    Posted on: March 25, 2025 | | 中文

    The Quiet Gathering II by Kashif Ahmed

    It is said that food is the language of love, and so are a few words, carefully compiled into stanzas we call a poem.

    Numaishgah brought together a group of talented craftsmen and artists who explored the bridge between food and text in their works, a connection that feels sacred and holy, especially in the blessed month of Ramadan.

    The patience and practice that hunger demands, and the desire to craft meaning from a few words, never truly go to waste. Some find themselves navigating a delicate balance between life and food, while for some, it becomes a coping mechanism, and for others it is a way to create and express love.

    The varied forms and structures of food and text are portrayed by the following artists, each capturing the essence of Food/Text, reflecting the intricate relationship between the physical and the symbolic. They urge us to consider not just what we consume, but how we consume, and how these acts shape both our collective and individual journeys, as curator Irfan beautifully explains about this exhibition:

    Untitled by Amjad Ali Tunio

    Tins of familiar fizzy drinks are embroidered with thread in a cross-stitch pattern, creating a mosaic of the everyday, yet underneath it all is a quiet reminder of decay that never quite arrives for these materials. What does decay in the organic thread, destined to decompose. The intricate stitching on metal tins speaks volumes of skill and finesse.

    Untitled by Amjad Ali Tunio

    The Quiet Gathering – I & II by Kashif Ahmed

    A tender arrangement of fruit, half-eaten, some waiting to ripen into full color. Soft hues interact with the viewer, drawing them into both pieces. The subtle background lends an illusion of softness, wrapping the fruit in a quiet, textured glow. Every detail speaks, miniature expressions of color blending with low light, making each curve shimmer.

    Prayer by Anaya Kareem

    A wordplay that feels like a sharp nudge and a reality check, a reminder that provokes viewers to ground themselves and stay humble in their prayers. Forgiveness begins on the knees, but first comes a prayer stripped of emotion, laid bare.

    Prayer by Anaya Kareem

    Perforation by Samina Kausar Ansari

    A revival of the long-lost art of perforation, demanding precision and clarity. It becomes both text and image, crafted by the needle. Her voice moves through her fingers, puncturing the sheets again and again, tracing the rhythm of her mind. A unique blend of modernity and tradition, stylizing text with subtle, tactile interaction.

    Sink by Ayesha Abbas Khan

    The kitchen holds all the flavors of your food, but the dirty dishes piling up in the sink become a reflection of everything left pending in life. And yet, sometimes, washing those dishes turns into a cathartic act. It is not always a fun job, but it remains a simple, old-fashioned way to keep your space and maybe yourself, tidy. The artist portrays the sink in all its messy glory: the chaos of life distilled into one basin, balanced by the fleeting flavors that give us a few moments of joy.

    Sink by Ayesha Abbas Khan

    Vanishing Acts by Maryam Jahanzeb Baig

    Mixed media breathes vintage miniature art back to life in a tablet format that demands attention. It captures the slow aging of art itself, pulling viewers closer, urging them to search for history hidden in every stroke and bruise.

    Feast for the Eyes I & II by Marwah Waqar

    Plates filled with soft structures of food, colorful, full of life and yet, not edible. The 3D effect pulls you in, grasping the essence of life and its inevitable decay. Food does too. A humble reminder: decaying matters, and we’re not made of stone. The human heart wrestles with questions of life, but somehow finds answers in the natural world around us.

    Feast for the Eyes by Marwah Waqar

    Still Life by Raja Rameez Khokhar

    A glimpse into what still life truly holds, a quiet act of remembrance. A wooden slab becomes a canvas of divine elements, though it appears almost empty, marked only by shadows. And yet, it exists, and that is enough. A lingering phrase echoes: “not, not art.”

    Bread in a Bubble Wrap by Zeenat Khan

    As delicate as a loaf of bread, yet still subjected to the human urge to press, to test its softness and to check its freshness. The message is simple: no matter how soft you are, there are moments you’ll crave the protection of bubble wrap, a shield from uncalled-for hurt. Human nature rests in a heart that longs for peace and a mind that wants the heart to stay safe.

    Bread in a Bubble Wrap by Zeenat Khan

    The world speaks its heart through the language of love and passion, and often, it finds those feelings reflected in the flavors of life. Whatever we consume, the language is complex yet delicate, demanding honesty. After all, your second heart is your gut and the feelings it stirs assure you of the truth.

    This exhibition makes the most of that delicate charm of food and text woven together. Every artist offers their own language through their creative process, laying their hunger bare. A delightful, thoughtful experience and a reminder that neither the gut nor the eyes can lie.

    Gallery

    Organic Impressions III by Sajid Amiri

    Dine and Whine by Mikael Attaullah Bhurgri

    Chinese Chips Date by Wanya Hanif


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021