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    Art Review: An Exotic Holiday at Art Chowk

    Written by: Hamad Ali
    Posted on: April 09, 2021 |

    Men and Cats by Marium M. Habib

    The world is in the grips of a pandemic and it will be some time before travel restrictions become lenient, and people can take holidays to dust the monotony and spiraling ennui off our shoulders. To grapple with the anxieties surrounding confinement and social distancing rules, artists use their medium to create a vibrant, pulsating escapist world which could bring about a much-needed break. Arists Marium Habib and Asad Kamran came together for such an initiative with a show titled ‘Exotic Holiday’ that opened late March at Art Chowk Gallery in Karachi.

    Karachi went into a fifteen-day lockdown in March 2020 and little did we know that we were entering an era of isolation, seclusion, and anxiety surrounding social gatherings and traveling. The show was centered around those anxieties and their extension of people’s imaginative geographies, which they manifested while confined in their homes. Habib and Kamran presented larger-than-life works with bright, assertive compositions depicting flora and fauna, often melting into their immediate surroundings.

    Garden Collaboration by Asad Kamran

    The postcolonial academic, Edward Said, conceptualized imaginative geographies in his seminal analysis, referring to the representation of landscapes that expresses the presenter’s desires, perceptions fantasies, projections and fears. The words of the writer come front and centre and are meant to be understood, as opposed to viewers bringing in their interpretations. A vital part of such imaginative geographies is the reification and dramatization of the distance between other and self, or between abroad and home, whichever places feel home the most.

    Adil and Zehra by Marium M. Habib

    While encapsulating the imagination of exotic holidays, the artists used a cheeky tactic of painting the entire gallery hot pink and covering all the windows, obstructing the commercial vistas of the Clifton area that surround it. This practice alluded to the COVID-19 induced lockdown and confined the visitor into the gallery space, forcing them to view the exoticized mapping of their home gardens and Karachi at large, without considering the outside world.

    The woman is reclining with her head buried in her chest and in between her arms. She’s naked and indifferent, as she lays on an extensive patch of grass. She may be thinking or perhaps marinating in her thoughts and feelings for herself. ‘Languishing Woman’ by Habib is an ode to the people who felt distant, unproductive, decayed, and alone as they stayed at home. The woman’s body is marked with agitated strokes of dry and powdery pigment of chalk pastels, alluding to the besmirched self-love and burgeoning self-loathing felt with the bouts of stagnancy.

    Languishing Woman by Marium M. Habib

    ‘Floating’ by Kamran, depicts a mélange of indoor and outdoor plants that the artist viewed when homebound. A figure clad in flowy shalwar kameez floats inside a leaf. This womb-like structure and the embryonic form of a fully-grown person reminds one of ‘Shrink’, a 1995 performance by Lawrence Malstaf, during which artists were suspended in a plastic sheet with only one tube of air to regulate air flow. It suggested claustrophobia one may feel as the imaginative walls of the house start to cave in and we begin to outgrow our surroundings. Both the blues in the foreground and the grid in the background allude to the dichotomies of the inside and outside, confined and free.

    Floating by Asad Kamran

    Habib’s canvases have defined figures and flora, and their presence is vividly felt in the gallery. On the contrary, Kamran’s work is loose and flowy, alluding to the fluidity of time. This chasm between the solidity of figures and paint's fluidity, implies the fluxation of memory and fleeting moments that both the artists tried to capture.

    Another recurring motif throughout all the works was that of the palm tree, with its broad leaves and infinite shade. While Habib paints her palm trees in a semi-realistic way, with murky hues of green, Kamran stylized it with basic shapes and solid colors. Palm trees have been an integral aspect of the imperial and orientalist gaze, and according to Kamran, they’ve become a vital facet of an exoticization or ‘Dubaification’ of Karachi, making it seem commercial and welcoming. Palm trees aren’t local to Karachi, and they are artificially planted as a way to achieve the local government’s desire to transform Karachi into an exotic landscape that houses different cultures and commercial success, something more comparable to a Middle Eastern desert oasis rather than an older version of the city, or any other city in Pakistan for that matter.

    Murky by Marium M. Habib

    Both the artists explored their line of sight and the versions of what they saw during quarantine, bringing home the idea that home and ideas of the exotic holiday are intrinsically linked to each other. One questions a viewer’s idea of an exotic holiday, if they don’t have these particular images of green vistas in their sight. If not such a landscape, then who gets to imagine the exotic getaways and how would they manifest? The show is on display till 15th April 2021 and a must-visit for a vibrant and though-provoking escape.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021