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    Art Review: How Long Will a Goose Sit on Dead Eggs - Of Power and Politics

    Written by: Khadijah Rehman
    Posted on: December 12, 2019 | | 中文

    Panchait

    The need for power is hardwired into human beings. It is either a desire to influence, or a deep, unsettling craving, a need for authority and control, and rarely does it ever bode well. This yearning for power is the backbone of most of the great epics that humanity has told throughout time.

    Lord 3

    But the warnings concealed behind most of the lessons in these stories often boil down to two things: the anti-hero shies away from power, and yet it is thrust upon him. The villain chases after it and it ends up devouring him. Such a conundrum forms the very warped backdrop of real life, wreaking havoc and causing disaster in our lived realities. It is this unearned and misused power, that artist Aakif Suri challenges through his works, in his show How Long Will a Goose Sit on Dead Eggs? at the O Art Space in Lahore.

    The egg plays a monumental role in Suri’s miniature paintings. In its stark whiteness and attribute of concealing its contents, the artist has discovered a metaphor for ambiguity and secrecy. In Panchait, seven eggs arranged in a circle seem almost human in their postures, leaning towards one another as if conspiring together. Their arrangement has an insidious quality, thrown into further emphasis by the rendering of the eggs, which are black in their lower halves, with fleshy membranous tops, and white animal hair adorning them. These strange forms are reminiscent of a goose or a vulture in their color and texture, and are almost repulsive to look at.

    The artist’s mastery is evident in the glistening pink of the flesh, rendered in the classic and painstaking miniature techniques of pardaakht and tippai, which uses small dots and dashes to render a form. Each vein is so laboriously and realistically rendered, that it seems to throb and pulsate on the wasli paper. A panchait, which is usually a council of village elders which has recently come to be known for its unjust use of power, has been recreated here using the inanimate egg forms, heads put together to pass prejudiced judgment with woeful consequences.

    In Daddy’s Boy, too, the eggs make a reappearance, this time as an exploration of the sort of power that comes from having wealth and social standing. A small white egg stands in the foreground, its ovoid form gleaming purple, blue and pearly white, while a gigantic, fleshy egg stands behind it. Its orange membrane is covered in fine black hair, and every strand is painted so delicately. The viewer holds their breath, half expecting to disturb the wispy hair with each exhale.

    Daddy's Boy

    The power dynamic created in this painting is one that is all too familiar, that of an entitled young boy, supported by his political father figure, unaccountable for any wrongdoing. The large, looming egg, in all its fleshy hairiness, is evocative of the same abhorrence one feels in the face of such blatant exploitation of power.

    Suri’s ability to create a satirical narrative, using nothing but inanimate objects concealed as living, breathing forms, is extraordinary. The artist has put up through his paintings a reflection, gently goading the unjust nature of hierarchy into view. His works are sensitive renderings that pack a wallop in their ubiquitous quality of truthfulness, combining mirth and misery to comment on a world that is crooked beyond repair. The exhibition continues till 15th December.

    Revloution


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021