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    Art Review: The Body Displaced at Full Circle Gallery

    Written by: Sana Shahid
    Posted on: January 03, 2023 | | 中文

    Passionate Attachments by Zara Asghar

    The evolution of the body has been seen and discussed throughout the centuries in multiple matters like politics, religion and art. The human body is quite an inspiration and creative force for artists, be it in its physicality, sexuality, environments, or intangible concepts associated with it.

    One can say that the body is in a form of multiple layers, and it’s ravishing to uncover those hidden layers as well as the objects and concepts connected to them. ‘The Body Displaced’ is an exhibition that vastly depicts the tangibility, myths, concepts and layers of the body. It’s a group exhibition of 11 talented artists from different parts of the country, with their line of work connecting them. It’s amazing how people see the same object, the human body, in a different light and represent it in uncanny techniques to the viewers.

    Inspired by the human form, Jahanara Faheem depicts figures in an abstract and deconstructed manner. Her work pushes the boundaries regarding the size and technique of oil painting. The high-contrast colour palette and the strokes of the brush incorporate an element of depth in her work. The figures are merged with the brush strokes, causing the eyes to travel along the canvas and get lost in the non-traditional human forms. Her work challenges the perfect proportions of the human body and exaggerates the organic nature of its anatomy.

    Karmic resurrection by Jahanara Faheem

    Taking the human body as a metaphor for exploration, Sehrish Mustafa connects it with her perception of it. Her works revolve around abstract imagery, and the translucent effect of the colours depicts delicate, yet empowering forms. She starts a debate about the “making of the body”, where she draws inspiration through her personal experiences, along with sexual and divine connotations associated with the body. Her unique way of thinking leads to the creation of remarkable artworks that are not only pleasing to look at, but also stir a discussion within minds.

    Zara Agher’s beautiful etchings with exaggerated figures are the epitome of creativity. Her work explores the connection between genders and sexuality, with prospective places. She questions the boundaries of some places that deny the inclusion of certain types of people, as well as the authorities behind implementing those boundaries. This concept highlights the issues of today’s world where discrimination is inevitable. Based on this powerful concept, Zara’s works depict bold imagery of figures intertwined with each other to convey a message of unrest that she feels within. The use of crisp lines is a testament to the artist’s command of the medium. Her imagery keeps the viewer occupied while stirring constructive debates in their minds.

    Waleed Zafar explores the topics of colonialism and racial identity. His works take one back to the era of colonialism where millions of people were displaced based on their racial and religious identity. The panoramic work titled ‘Now where do they stand?’, portrays the effects of colonial disputes and the hardships that came along with it. The black and white collages represent well-researched artworks with thought-provoking concepts.

    Now where do they stand by Waleed Zafar

    Intrigued by the surroundings, Farsam Zafar and Hifsa Farooq highlight fascinating objects and trivial acts all around us. Hifsa treasures beauty in found objects that reflect the personalities of their owners in the past. She believes that found objects comprise unique characters, with multiple layers to them. On the contrary, Farsam perceives simple objects as ironic that exist in our daily life. Her artworks are well-balanced and playful with intriguing textures. Both of these artists illustrate the surroundings in opposite ways, sparking a very interesting dialogue.

    Silsila series I by Farsam Zafar

    Taking a more personal approach, Faraz Amer questions his existence and place in this humungous universe. From the abstract depiction of the heart and soul to the detailed and high-contrast drawings, Faraz has managed to showcase his exquisite skill and talent to the viewers.

    Anushka Rustomji takes the viewers on a trip to the Gandhara Civilization. She gets her ideas from colonized and displaced societies, historic cultures, and primeval eastern imagery. Her artworks truly reveal her command over graphite as a medium. The technique of drawing the drapery makes it seem almost real to the touch. Every fold is an embodiment of intricacy and delicacy, with even a hint of Chantelle cloth.

    Scalloped Gandhara Figurine by Anushka Rustomji

    Instead of drawing, Laiba Aslam displays the usage of a real Chantelle garment, connected to the idea of intimacy. The artist explores all types of intimacy, whether it is between two human beings or between the human body and the textiles that cover it. Her artworks portray a unique style of painting where she has used actual Chantelle fabric to add a 3-dimensional effect to the works. This concept is assertive of a bold and dynamic approach, taking a different angle to the interpretation of the human body.

    Second Skin by Laiba Aslam

    Depiction of minimalism is approached by Mehmil Ishtiaq. The artist forms concepts considering self-reflection, the surroundings, and the universe. Mehmil creates interactive works for the viewers, so they don’t just get captivated by the beauty of her artwork, but instead interact with it. The circular shapes and forms depict the circle of life, with vibrant and contrasting hues portraying the different colours of life.

    ‘I never out-grew my doll-house’ stated the artist, Sahyr Sayed, who is reminiscing about a feeling of nostalgia through her work. The artist sheds light on the importance of connections with the objects, be it the objects found at home or somewhere outside. She has used a female figure to demonstrate the norms and traditions associated with women since ancient times. The playful imagery symbolizes the idea of femininity and domesticity by using warm colours and patterns. Her work is iconic and full of depth for the viewers.

    Artists take it upon themselves to portray the negative and positive sides of the universe, in the form of their personal, social, political, and economic experiences. This exhibition is a testament to the way professional creatives perceive the world, and put their feelings out for the world to grasp along with shedding light on some essential matters. ‘The Body Displaced’ showcases some talented artists and is worth a visit to appreciate their line of work. A huge round of applause to the Full Circle Gallery for curating such an insightful show, and bringing forward the talented youth of the country.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021