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    Drama Review: Faraar (Escape)

    Written by: Hurmat Majid
    Posted on: December 04, 2024 |

    Hamza Ali Abbasi and Tanveer Syed

    Faraar, currently airing on Green Entertainment, is a socio-political drama that effortlessly intertwines action, romance and societal commentary. Written by Mustafa Afridi and directed by Syed Wajahat Hussain and Musadik Malik, the series masterfully navigates complex human relationships, personal ambitions and societal challenges, making it one of the most captivating dramas of the year. Produced by Next Level Entertainment in collaboration with Green Entertainment, Faraar sets itself apart with its layered storytelling and bold thematic exploration.

    At its core, Faraar is an intense exploration of personal freedom and societal resilience. Set against the contrasting landscapes of Karachi's urban chaos and the traditional feuds of Swabi, Khyber Pakhtunkhwa, the drama presents a dual narrative that adds depth and authenticity to the storyline. Each location is more than just a backdrop; it is an essential character that mirrors the internal and external battles faced by the protagonists.

    The plot of Faraar seamlessly navigates through multiple distinct yet interwoven storylines, each rich with tension and emotional depth. At its center is Batish, played by Hamza Ali Abbasi, a street thug with a surprisingly strong moral compass. His raw intensity contrasts with Sadia, portrayed by Mamya Shajaffar, whose resilience and vulnerability add emotional gravity to the narrative. Together, they navigate personal loss and political turmoil, forming a compelling axis around which much of the story revolves.

    Noor Ul Hasan and Mamya Shajaffar

    Parallel to this, Ahmed Ali Akber sheds his restrained persona from Nadaan to embody a determined police officer in Faraar. His commanding screen presence is already captivating audiences, signaling a transformative character arc. Sohai Ali Abro's portrayal of Nazish, a woman trapped in an abusive marriage, adds further depth. In stark contrast to her lighter role in Gentleman, Sohai brings a gripping, emotionally charged performance that highlights the complexities of domestic abuse.

    Sohai Ali Abro and Faris Shafi

    Daniyal Zafar also breaks new ground, moving away from his lighthearted Ramazan drama roles to play Babrik, a Pashtun torn between family honor and personal ambition. His subplot with Meerub’s character, who defies social norms by marrying him against his will, injects a refreshing dynamic into the series. Together, these interwoven narratives create a complex tapestry of emotion and conflict, promising a convergence that will keep viewers riveted.

    Asal Din Khan and Merub Ali

    The drama’s standout feature is its powerhouse cast: Hamza Ali Abbasi captures Batish's moral duality with magnetic precision, pulling audiences into his morally grey world; Mamya Shajaffar complements this with a portrayal of Sadia that blends strength and vulnerability, enhancing their palpable chemistry; Ahmed Ali Akber’s performance as a principled officer resonates deeply, transforming him into a symbol of integrity against systemic corruption.

    Sohai Ali Abro's depiction of domestic abuse is both haunting and poignant, offering a sharp commentary on the struggles of countless women. Daniyal Zafar’s portrayal of Babrik is equally layered, effectively conveying the inner conflict of a man caught between love and duty.

    Nadia Jamil's return after Khusboo Mein Basay Khatt is nothing short of remarkable. Her transformative performance showcases her range, effortlessly shifting between moments of quiet wisdom and intense emotion, reminding audiences of her exceptional talent and adding a profound layer to the series.

    Ahmed Ali Akbar and Salman Saeed

    In Faraar, the combination of its intricate plotlines, emotionally resonant characters, and dynamic performances makes it a standout drama, offering both compelling entertainment and thoughtful social commentary. When Faraar was first announced, the involvement of two directors, Syed Wajahat Hussain and Musadik Malik, raised some eyebrows. The dual-director approach often sparks concern about tonal inconsistency or disjointed storytelling. However, Faraar has swiftly laid those fears to rest.

    The seamless transitions between the scenes directed by Hussain and Malik showcase a unified vision. Their collaboration has brought forth a nuanced narrative that balances high-stakes drama with intimate character moments. Their attention to detail is evident in every frame, from the raw authenticity of action sequences to the emotional resonance of quieter, reflective scenes. The camera work feels fresh and dynamic, offering viewers a cinematic experience rarely seen in television dramas.

    Moreover, the crisp editing ensures that each storyline flows effortlessly into the next. Whether it’s a tense confrontation in Karachi or a heartfelt conversation in Swabi, the pacing remains consistent, keeping viewers thoroughly engaged.

    Hassan Noman and Asal Din Khan

    The visual presentation of Faraar is one of its strongest assets. The urban grit of Karachi contrasts beautifully with the pastoral tranquility of Swabi, creating a visual duality that enhances the storytelling. This duality is further amplified by the meticulous production design and evocative cinematography, which capture the essence of both settings with precision.

    The sound design and musical score also deserve special mention. The background score enhances the drama without overpowering it, while the subtle use of traditional instruments in key moments adds an extra layer of emotional depth.

    Beyond its compelling narrative and stunning visuals, Faraar also serves as a powerful commentary on societal issues. The drama tackles misogyny, class disparity and political corruption with unflinching honesty. It doesn’t shy away from exposing the harsh realities faced by women and marginalized communities, making it both a thought-provoking and emotionally resonant watch.

    The balance between entertainment and social relevance is handled deftly, ensuring that the series remains engaging without becoming preachy. This delicate equilibrium is a testament to Mustafa Afridi’s strong writing and the directors’ shared vision.

    Daniyal Zafar in the drama

    At the moment Faraar is turning out to be more than just a drama; it’s more of an an experience. It challenges conventional storytelling by weaving complex narratives and creating characters that resonate deeply with audiences. The collaboration between two directors has emerged as one of the show’s greatest strengths, resulting in a polished and cohesive series.

    With its gripping plot, exceptional performances, and sharp socio-political commentary, Faraar may just set a new benchmark for Pakistani dramas. It is a must-watch for anyone seeking a drama that is both intellectually stimulating and emotionally fulfilling.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021