Written by: Fareeha Shah
Posted on: May 31, 2016 | | 中文
“Design needs to serve a purpose. It can’t be based merely on your liking for something”, says Anwar. “If it’s a message, you need to know which audience you are talking to, and your design needs to connect with that audience.”
Umair Anwar graduated valedictorian from the Indus Valley School of Art and Architecture in 2005 with a degree in Communication Design. “I’ve been drawing since I was a child,” says Anwar, settling into his seat. “I used to take part in a lot of competitions in school and even in the Punjab Textbook Board, and I would end up winning most of them. How I got into design, though, is another story. My older brother studied at NCA; he’s a graphic designer too. I used to observe him working on his assignments, which I found fascinating. When he wasn’t there, I would open his files and mess around with his things. That was how I first discovered my passion for design.”
Before emerging as an independent artist, Anwar was met with commercial success, working as a Creative Director for Coca-Cola. His projects include working with renowned brands such as Coke Studio, Sprite and Minute Maid, and he is currently the Creative Director at Ogilvy & Mather, Pakistan. He hopes to expand his art through the rapidly developing medium of the GIF. But when did he first identify himself as an artist, and realise that he wished to take his work beyond the commercial realm? “There was this void that started building inside. We used to work day and night on brands, on very goal-oriented projects. That developed a void in me, which I needed to fill with something that I could truly express myself with.”
The Graphics Interchange Format (GIF) is a relatively new medium when it comes to expressing oneself as an artist. Some people believe that stories are told most effectively through movies; others think they can only be told through words. But a GIF is a kind of liminal medium. “I love the fact that they (GIFs) are infinite. I love that they are not defined by time. They keep on playing perpetually, and there is something magical about that. It’s like throwing something in the universe – and letting it float. I’ve been illustrating for quite some time now, and my work has evolved into the GIF. One day I would love to create an animated movie – but at this point, GIFs are the most convenient because I can animate them on my own and create original content.”
Having won such a prestigious international award, one might assume that Anwar had been illustrating with the GIF for several years. Surprisingly, that is not the case. “It was actually quite funny because it was my first ever experience entering into the world of art, and I ended up winning this pretty huge competition. It was a big surprise. The director of this event called to inform me that I had won, and I was like, “Are you kidding me? This can’t be happening!” I won under the ‘New Media’ category – and this is where my GIFs came in. We see them all around: on various websites, on Facebook; people are always sharing them. I felt that it’s very current, and it’s being used a lot on social media, so I decided to adopt it as a medium.”
Anwar’s website mentions that he has always “wanted to connect with the viewer without any barriers of social or political context, but rather on a rational level of every human being living in the glo-cal (global and local) world of today.” When asked about his conception of the fundamental human nature that unites people across geographical borders, Anwar replies, “Having been a part of the commercial side where we make campaigns for everyone, I just feel that there is a fundamental thread that connects anyone and everyone across the globe, in the same way that numerous brands are in demand all over the world. For instance, people in every part of the world enjoy watching the sunset every day. Or certain jokes have universal appeal, in that people from all parts of the world can relate to them. That’s how I feel my work ought to be – I try to create art that would resonate with everyone, no matter where they come from.”
Umair Anwar concludes the conversation by providing an insight into the kind of work that he wishes to produce. “I just want to create something that would make people feel good. I don’t want to make anything morbid; there is enough morbidity in the world as it is. I want to create something whimsical and magical that can make people go, “How did I miss that?” or “Oh, that’s interesting!” Many people at World Art Dubai ended up recording my GIF. It made them smile. I spotted a 3-year-old girl gazing at it, perhaps relating to it in her own way. So yeah, that’s the kind of work that I want to produce.”
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