Written by: Saram Maqbool
Posted on: January 19, 2024 | | 中文
When discussing some of the prominent architects in Pakistan, some names that come up include Kamil Khan Mumtaz. He is one of those people who has striven for positive change in the architectural and cultural landscape of our country for decades. Having dedicated a major portion of his life to the preservation of cultural heritage and the evolution of contemporary architecture in South Asia, Mumtaz has reflected a profound commitment to his country’s architecture.
Born in 1939 in Agra, Mumtaz migrated to Pakistan after the Partition of the Indian sub-continent in 1947. His architectural career developed against the backdrop of Pakistan's tumultuous history, with the nation’s birth shaping the trajectory of his life. After migrating to Pakistan, Mumtaz embarked on a path that would not only redefine the architectural landscape of the country, but also leave a lasting mark on the region's cultural heritage. One of Mumtaz's early contributions was his involvement in the Lahore Fort Conservation Project, a monumental undertaking that showcased his dedication to preserving the historical treasures of Pakistan.
The Lahore Fort, a UNESCO World Heritage site, underwent meticulous restoration under his guidance, reflecting his commitment to maintaining the authenticity of Mughal architecture. His work on this project demonstrated an awareness of the delicate balance between conservation and modern needs. The Lahori Gate of the Fort is a prime example of Mumtaz's conservation prowess. The Gate, a symbol of the city's heritage, saw extensive restoration, not only getting back its architectural integrity, but also contributing to the revitalization of the surrounding urban fabric.
Mumtaz’s architectural portfolio isn’t confined to the preservation of his historic architecture only, for he has a diverse portfolio ranging from residential to institutional design projects. The most interesting aspect of his work is his philosophy that architecture is about creating a sense of identity, as opposed to just building structures. He thinks that the traditional architecture of Pakistan is an asset that must not be wasted, and instead promoted. Mumtaz has been quite vocal about the overreliance on, and obsession with “modern” architecture, saying that it is not suited to the economic and social context of Pakistan. In his opinion, the need for more and more modern architecture is like a drug at this point in the country.
All these ideas are clear as daylight in his work, which is characterized by a thoughtful blend of aesthetics, functionality and cultural sensitivity. His designs serve as more than physical spaces, for they are narratives that speak of the historical and cultural identity of Pakistan. Walking into one of the residences designed by him is enough to make anyone feel nostalgic for older, simpler times. Brick walls, wooden window shutters, delicately designed jaalis, arches and vaults, for everything comes together to create buildings that look rooted in their cultural setting. They are not just places to live and work in, but spaces that impart a sense of belonging and pride. These are buildings that showcase what Pakistani architecture should be like because they’re designed with both the context and the culture in mind.
By using local building materials and traditional techniques, Mumtaz also promotes sustainable and economical design. Not only that, he makes it a point to revive certain lost building skills, training a new generation of like-minded individuals to carry them into the future. He relies on brick rather than concrete and steel, he uses arches to minimize the unnecessary use of reinforced concrete, and he wholeheartedly champions Pakistan’s architectural identity.
An advocate for architectural education, Mumtaz has also played a crucial role in shaping the minds of aspiring architects. His involvement with various academic institutions, including the National College of Arts in Lahore, has helped nurture a new generation of architects who share his commitment to preserving cultural heritage, while embracing innovation. Beyond his architectural contributions, Mumtaz is also recognized for his writings on the subject. His essays and articles delve into the complexities of architectural identity, cultural preservation and the role of tradition in contemporary design. His literary endeavors serve as a testament to his intellectual depth and dedication to elevating the discourse surrounding architecture in South Asia.
There’s no doubt that Kamil Khan Mumtaz stands as the leading voice calling for the preservation and conservation of Pakistan’s rich architectural heritage, as well as finding new ways to adapt the traditional design elements of South Asia to the modern times. He was vehemently opposed to Lahore’s Orange Line, the plan of which was expected to cause havoc in the historically important architectural gems of Lahore. Mumtaz is one of the very few figures in the Pakistani architectural world that inspire actual change. I hope that all his efforts bring fruit and lead to other architects following in his footsteps, especially the young ones who generally think of traditional architecture as backward.
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