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    The making of 'The Taming of the Shrew'

    Written by: Syed Abbas Hussain
    Posted on: July 2012 | | 中文

    The mammoth event of Olympics this year was ushered in by a multicultural festival that paid homage to William Shakespeare. 37 theatrical troupes from different countries partook in this celebration and performed Shakespeare in regional languages including Mandarin, Hindi and French among others.  Pakistan had the honour of participating in this elaborate event and chose The Taming of The Shrew as their entry in the festival.

    Adapting this controversial play in Urdu and setting it in 1970's Pakistan was a thrilling and challenging task to say the least.

    Renowned television director Haissam Hussain who has many blockbuster projects to his credit took over the reins as the director of the project, infusing it with an eastern flavour. He proudly affirms, ‘through the play I share with the world Pakistan’s love for music, dance, its intense appreciation for life and literature, our passionate, tough women and knack for bawdy comedy and romance’.  

    While the music of the play was directed by Valerie Kaul and Meekal Hassan, Osman Khalid Butt took charge of the choreography department.

    The play’s UK based producer Susannah Harris Wilson enjoys a long standing association with Pakistan. She came to the country in 1964 and taught at Kinnaird for 5 years.  She left for England thereafter only to return to Pakistan in the 80’s when she taught at LACAS and produced plays such as Amadeus and Romeo and Juliet. Susannah wished to showcase the acting talent of Pakistan on the prestigious pedestal of Globe Theater while negating the negative stereotypes often associated with the country.

    Amnaa Kaul, Zaibunissa Pasha and Mariam Pasha faced the great challenge of translating the play into Urdu. They rose to the occasion and presented a prolific Urdu script packed with crisp and witty one liners which were responded with rapturous applause.

    When quizzed about the challenges of translating the Shakespeare comedy, the girls proclaim how it was difficult to depict the intimacy between Kate and Petruchio keeping in view the cultural sensitivities of Pakistan.  They had to hence do with the couple holding hands instead of Petruchio kissing Kate in the street as was portrayed in the original script.

    The dichotomy of east and west has been a topic of much discussion and interest in popular culture and giving a western play an eastern twist would seem an incongruous prospect to some. However if we comb through the seams of Taming of The Shrew we find that elements of the play bear resonance in Pakistani culture.

    The running theme of the play for example illustrating a father’s insistence on getting his eldest daughter married off before the younger one, has a very strong eastern disposition. The leading lady of the play Nadia Jamil says with a wide grin ‘Shakespeare was a Desi (Southasian) at heart!’

    Taming of the Shrew has been touted as one of the most misogynistic plays of Shakespeare for showing a woman being manhandled and browbeaten by a tyrant. In that vein it has often come under fire from feminist critics who have rebuked Petruchio’s oppression of Katherine to ‘tame’ her from a shrew into a submissive woman.

    The makers of the play were bent upon showing an equal balance of power between Kate and Petruchio. While Petruchio is very stubborn in his ways, Kate learns to play act submissiveness to appease members of society rather than actually caving in. Nadia Jamil’s very telling delivery of Kate’s notorious monologue was one of the defining moments of the play where she says her lines in an ironic manner as if she’s indulging in a form of game play while continuing to retain her feisty charm.

    Putting together a play in a country where theatre is a fairly neglected medium comes with its fair share of problems. Most of the other groups participating in the world Shakespeare festival were backed by a professional theatre company and their respective governments. For Pakistan, financial hurdles posed the greatest crisis as a lack of funds almost incapacitated the progress of the play. The response of local financiers was abysmal and the producers sought a bulk of funds from overseas to facilitate the project.

    As theatre is not a lucrative profession in Pakistan it cannot be relied on as a full time career. Many actors turn to television projects to make their ends meet. Others manage day jobs before coming for evening rehearsals.  Tremendous sacrifices were involved on the part of the play’s cast and crew. While the lead actress Nadia Jamil gave up on a television play shot in New York, actor and choreographer Osman Khalid Butt quit his job and shifted to Lahore from his home in Islamabad for the duration of the play’s rehearsals.

    The hard work and conviction of the entire team enabled them to shine at The Globe Festival and gain laurels at the other venues of their UK tour which included Oxford, Bradford and Yokshire. For Pakistani theatre this play has been a turning point in many ways. In the word’s of the play’s lead actor Omair Rana, ‘It is an era of change, may the change be constant and positive.’
     

    View Live Performance of 'The Taming of the Shrew'


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

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    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021