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    When the open palm, the tree stump and the carpet spoke

    Written by: Dr. Arjumand Faisel, Curator Gallery 6 and Founder of APA
    Posted on: January 25, 2024 | | 中文

    The Lost Landscape by Safwan Bashir won 2nd prize at the Arjumand Painting Award (APA) in 2023

    In the fifth round of the national biennial Arjumand Painting Award (APA) in 2023, nearly 200 artists hailing from 25 diverse institutions, including self-taught individuals, took part. Among them, a selection committee shortlisted 90 paintings for exhibition and award contention, which was held in November at the Alhamra Art Gallery in Lahore. These paintings had a wide variety of art characterized by a remarkable construct, interesting imagery, artistic sophistication and aesthetic appeal.

    After displaying 90 paintings on diverse subjects for the show, I meticulously toured the expansive display area, ensuring each exhibit received its final touches before the judges' assessment. This moment, much like previous occasions, brimmed with a blend of anticipation and unease. However, amidst this atmosphere, a magnetic pull suddenly captured my attention of an exquisite painting with meticulously painted open palms of an individual, a transgender sitting in an unfamiliar wilderness that had an inexplicable allure.

    Eerily Hovering Above the Earth by Amna Rahman won the Merit Prize

    In that fleeting instant, something about the open palms of the individual depicted within the peculiar wilderness scene compelled me to halt and within seconds I found myself immersed in a visual dialogue with powerful vocabulary. As a doctor, my instinctual response was to ascertain any signs of injury or illness, yet no bruises or indications of ailment were apparent. This led me to scrutinize the visage of the depicted figure, which bore a solemn expression, an aura of seriousness, gravity, and profound reflection.

    Devoid of a smile, the closed mouth exuded an air of quiet concern, while the slightly furrowed eyebrows hinted at deep contemplation. The focused, introspective gaze emanating from the eyes captured my attention, portraying a person absorbed in profound thought. Overall, the subdued demeanor and inward focus of the individual suggested a mind engrossed in profound introspection. I vividly recall that on this magnificent presentation I spontaneously uttered … WOW!

    Ah, this amalgamation of extended hands, open palms, and a somber countenance began to narrate a different tale. I found myself entangled in this subtle yet potent visual dialogue. The pathology lay not in the palms but in the portrayal of mental anguish. I started hearing this non-verbal discourse of the open palms and the solemn face very loudly. They were asking for help, beseeching my attention and social assistance. Loudly, they spoke of the yearning for trust and also signaling sincerity, honesty and trustworthiness of the individual.

    Chaahat by Quratulain Dar won the 1st prize

    This visual symphony was so compelling that I felt numbed, failing to grasp the other extraordinary facets of the painting. To my delight, later in the evening, the esteemed judges awarded it the highest accolade … the first prize of Rs. 400,000. It wasn't until the day after the award ceremony that I stood once more before the painting, discovering its other remarkable nuances and astounding composition, painterly finesse even in the minutiae like the toenails, and the inclusion of supportive elements and subjects like the crescent and the bewildered dog.

    Quratulain Dar’s first prize in APA 2023 for the painting titled “Chaahat”, is an undeniable triumph that has been earned with distinction. Kudos to her on this remarkable achievement!

    Safwan Bashir debuted his first solo show in January 2023, and it was an outstanding success, completely selling out. His large size paintings done brilliantly with miniature technique, mostly discoursing on environmental concerns captivated art lovers. His painting, “The Lost Landscape”, in the award competition is a stark and thought-provoking commentary on the grim reality of deforestation and the underlying forces driving this destructive practice. The portrayal of a cut tree stump with a vulture perched atop, serves as a poignant metaphor for the predatory nature of those responsible for the systematic destruction of our forests, the environmental "mafia."

    The vulture, typically associated with scavenging and death, takes center stage in this evocative artwork, symbolizing the opportunistic entities profiting from the devastation of our natural habitats. The presence of a vulture with a halo on the barren decimated tree stump robbed of its lush canopy and reduced to a mere skeletal form, evoked an immediate sense of loss and despair. It not only signified the aftermath of ruthless deforestation, but also embodied the looming threat posed by the powerful who exploit our forests for their gain, leaving behind desolation and ecological imbalance.

    Divine Delights by Imran Mughal won the Merit Prize

    I was stunned that with very limited elements and restricted palette, Safwan was able to convey a compelling narrative and evoke deep emotions. While standing in front of it in the exhibition hall, it sent shivers down my spine as I could hear the sound of chainsaw tearing through this once-thriving tree and echoing like a mournful hymn for nature's loss.

    The artist also exhibited remarkable talent in employing the miniature technique on a grand scale, an incredibly detailed portrayal executed on a 74 x 32 inches wasli surface that imbued the artwork with a mesmerizing allure. The precision and attention to detail in rendering the intricate textures, delicate features and subtle nuances are a testament to the exceptional skill and patience of Safwan. Every stroke of the brush seems purposeful, allowing for an immersive experience that draws the viewer into its folds. The composition of the painting is equally remarkable with the use of cut stem image in the background in a very meaningful way.

    In sum, the technical prowess, masterful composition and attention to detail created an indelible impact not only on the viewers, but also on the judges. Congratulations to Safwan Bashir on winning the second prize of Rs. 300,000 in APA 2023. Interestingly, a collector from the USA asked me why this painting did not win the first prize and I responded, “No worries, he will be a Sirius in the art universe in the coming years”.

    Sadia Rathore, hailing from Balochistan, clinched the third prize worth Rs. 200,000. She thoughtfully raises questions and provokes contemplation on pressing social themes, offering a compelling visual narrative that urges reflection and dialogue. Her entry in the competition titled, “Tujhay Yaadgar Bana Dya”, was part of her ongoing "carpet" series initiated in 2018. This body of work began by sheding light on pertinent issues encompassing child labor, challenges faced by laborers, treatment of young carpet craftsboys by their employees, their creativity and the constraints imposed upon them.

    Tujhay Yaadgar Bana Dya by Sadia Rathore clinched the 3rd prize

    I must admit that it wasn’t the social concerns and apprehensions that were visually apparent in this work; it was her astonishing ability to paint a carpet with such lifelike realism that is truly mesmerizing and awe-inspiring. The sheer mastery of technique and attention to detail in recreating the intricate patterns, textures and nuances of a carpet through paint is nothing short of remarkable. The level of skill and precision required to achieve such realism is extraordinary. Every fiber, every thread, and every intricate design flawlessly captured on the canvas evoked a sense of disbelief and wonder. It is as if the painting transcends its two-dimensional form, inviting one to reach out and feel the tactile richness and depth of the depicted carpet. Many visitors were observed touching it to believe that it is really not a carpet but oil paints on canvas, as stated in the catalogue.

    The meticulous attention to every minute detail, from the weave patterns to the intricate motifs, demonstrated an unparalleled level of artistry and dedication. The ability to evoke a sense of tangibility and realism in a subject as seemingly mundane as a carpet, is a testament to Sadia's visionary talent and creative prowess. It transformed the ordinary into something extraordinary, leaving viewers in awe of the artist's vision and ability to capture the essence of an object so convincingly through paint, and also initiating a purposeful dialogue about the craftsmen involved in carpet weaving.

    The free will agency by Bazil Habib was awarded the Merit Prize

    The jury members consisted of Irfan Gul Dahri, Prof. Dr. Rahat Naveed Masood, Risham Hosain Syed, R.M. Naeem and Sana Arjumand made the recommendation to confer merit awards of Rs. 50,000 each upon Bazil Habib, Amna Rahman and Imran Mughal. These talented artists also showcased remarkable skill and creativity, and achieved high scores for their paintings, alongside the three primary winners previously mentioned. In addition, the Arjumand Family announced art residencies for 8-10 artists, exhibition of 15 artists, national and international promotion of 40 artists through the website and social media platforms of Gallery 6, and facilitating painting auction through an automated feature for the 90 participants of the APA 2023. Consequently, this event blossomed into a celebration for all participating artists, who were aged between 25 to 40 years.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021