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    Art Review: SHAPESHIFTING by Seher Naveed

    Written by: Sana Shahid
    Posted on: January 01, 2024 | | 中文

    Untitled VII

    Shapeshifting is a contemporary concept often demonstrated by Marvel or DC comic movies, where either the superheroes or villains have shapeshifting abilities as their powers. An exhibition titled ‘Shapeshifting’ by Seher Naveed, not only gives away the gist of the show in a monosyllable, but also acts as a reminder of such movies. However, Naveed’s work doesn’t focus on the shapeshifting capabilities of human beings, but rather on those of the cities we live in.

    Untitled III

    In today's cities, big walls, tall gates, and strong metal grills have taken over public spaces. They've built clear linear boundaries between public and private places like homes of important families, government offices and gated neighborhoods. These barriers have become a permanent part of our cityscapes because of security issues, and multiple residential societies breaking cities into smaller parts, which ends in less freedom to move around. Unfortunately, this change doesn't just affect the physical places we share; it also makes the quality of our shared spaces worse. This issue is more than just these things being there physically. It's also about how they control the way people can move in and out. The communities that use these barriers often end up taking over jobs that used to be done by the government, like protecting everyone and taking care of parks, and encourages a way of life that's closed off from the rest of the community.

    Detail (Untitled IX)

    Naveed’s paintings are like a visual representation of boundaries, hindrances and the linearity that has completely modified our cities into some types of mazes. They show how these big walls and gates change the way things look around us. Her artworks highlight the challenges that affect our ideal vision and perspectives, all influenced by political and economic control. The paintings investigate how these things, whether they're tangible or imaginary, control what people do and how they see things. Naveed purposely makes the paintings a bit uncertain, so they show the life altering cities, people’s mobility and the hindrances destroying a perfect vision.

    Untitled I

    In contemporary times, the world’s architecture has evolved into embracing the organic nature of landscapes and creating structures like an extension of them to show connectivity between nature and man-made objects. In our case, however, spaces around us are taking a rather more rigid outlook with these enormous, heavy, cemented and alien constructions everywhere, creating a negative visual impact. They're not just separating different parts of the urban spaces but they're also permanently segregating humans and their interactions with each other. Unfortunately, these changes aren't just altering the physical appearance of our shared spaces, but they're also making our public spaces less enjoyable. This issue goes beyond the physical structures themselves, and also relates to the subtle ways of dictating and taking away the freedom that once existed.

    Detail IV

    It's admirable how Naveed uses her paintings to document and highlight the impact of these architectural features in her artworks. Through abstract forms, devoid of strong emotions, Naveed allows diverse interpretations to emerge, revealing the inherent instability and the lack of freedom. The bold bright colours, the linear lines forming geometric shapes within shapes like a pattern, and the unique compositions represent the talent that Naveed possesses, and all these characteristics add an element of movement to the rather static appearing artworks. Naveed shows her true command over the medium with the solid application of paints over a hard surface like Medium Density Fireboard (MDF), implies the use of a more layered technique for the colours to be bright and popping, instead of being faded, dull and grainy. The artist has used a consistent colour palette, including different shades and tones of blue, red, brown, grey, black and green. The canvases she has used are cut out to resemble 2D mechanical, transformers-like forms that are ready to change their appearance at any second. This gives her work a more artificial feel, further enhancing the core of her ideas.

    Detail (Untitled V)

    Seher Naveed's artistic exploration is deeply rooted in the socio-political evolution of Karachi and its impact on the local inhabitants' lifestyles. Employing drawing as her primary medium, she examines her surrounding spaces, drawing inspiration from the recurring geometric patterns found in Karachi's urban settings. Acknowledging that architecture can be a powerful symbol of a society's envisioned future, her artistic journey has progressed to include intricate architectural details from the complex city. Karachi's topography has undergone substantial shaping due to periods of political instability, and Seher's practice reflects this dynamic interplay between politics and urban form over the years.

    Taking the chaotic energy of a megacity like Karachi and turning it into artworks that are very minimal, is an ability not many artists can boast of, but Naveed has done it beautifully. Her work really does capture one’s imagination, inspiring them to think more deeply and make connections between the abstract forms and the physical world. Naveed’s work is also important because it highlights how cities that once had character have gradually turned into jungles of concrete and monotony, leading not only to visual changes but also environmental ones.


    As the new year begins, let us also start anew. I’m delighted to extend, on behalf of the Embassy of the People’s Republic of China in the Islamic Republic of Pakistan and in my own name, new year’s greeting and sincere wishes to YOULIN magazine’s staff and readers.

    Only in hard times can courage and perseverance be manifested. Only with courage can we live to the fullest. 2020 was an extraordinary year. Confronted by the COVID-19 pandemic, China and Pakistan supported each other and took on the challenge in solidarity. The ironclad China-Pakistan friendship grew stronger as time went by. The China Pakistan Economic Corridor projects advanced steadily in difficult times, become a standard-bearer project of the Belt and Road Initiative in balancing pandemic prevention and project achievement. The handling capacity of the Gwadar Port has continued to rise and Afghanistan transit trade through the port has officially been launched. The Karakoram Highway Phase II upgrade project is fully open to traffic. The Lahore Orange Line project has been put into operation. The construction of Matiari-Lahore HVDC project was fully completed. A batch of green and clean energy projects, such as the Kohala and Azad Pattan hydropower plants have been substantially promoted. Development agreement for the Rashakai SEZ has been signed. The China-Pakistan Community of Shared Future has become closer and closer.

    Reviewing the past and looking to the future, we are confident to write a brilliant new chapter. The year 2021 is the 100th birthday of the Communist Party of China (CPC) and the 70th anniversary of the establishment of diplomatic relations between China and Pakistan. The 100-year journey of CPC surges forward with great momentum and China-Pakistan relationship has flourished in the past 70 years. Standing at a new historic point, China is willing to work together with Pakistan to further implement the consensus reached by the leaders of the two countries, connect the CPEC cooperation with the vision of the “Naya Pakistan”, promote the long-term development of the China-Pakistan All-weather Strategic Cooperative Partnership with love, dedication and commitment. Mohammad Ali Jinnah, the founding father of Pakistan said, “We are going through fire. The sunshine has yet to come.” Yes, Pakistan’s best days are ahead, China will stand with Pakistan firmly all the way.

    YOULIN magazine is dedicated to promoting cultural exchanges between China and Pakistan and is a window for Pakistani friends to learn about China, especially the Xinjiang Uygur Autonomous Region. It is hoped that with the joint efforts of China and Pakistan, YOULIN can listen more to the voices of readers in China and Pakistan, better play its role as a bridge to promote more effectively people-to-people bond.

    Last but not least, I would like to wish all the staff and readers of YOULIN a warm and prosper year in 2021.

    Nong Rong Ambassador Extraordinary and Plenipotentiary of
    The People’s Republic of China to the Islamic Republic of Pakistan
    January 2021









    Video message by Senator Mushahid Hussain Sayed on Black Day of Indian Occupation of Kashmir



    Video message by Senator Mushahid Hussain Sayed on Black Day of Indian Occupation of Kashmir, 27 October 1947, when Indian military troops forcibly occupied Kashmir illegally, claiming a fraudulent ‘Instrument of Accession’ which never existed as documented by eminent British historian Alastair Lamb! Kashmir & Palestine are examples of illegal occupation & continued Resistance to Repression! There are so many commonalities in Kashmir & Palestine: both under brutal military occupation of foreign powers, both are facing an indigenous, popular, spontaneous & widespread Resistance & Uprising, both are in violation of UN Resolutions which haven’t been implemented, both are witnessing an attempted change in the demographic balance, both are facing the use of rape as a weapon of war, both are testimony to double-standards & hypocrisy of Western powers on human rights & fundamental rights, and both conflicts have an element of racism and Islamophobia, while enduring peace, security and stability will remain elusive in both regions, South Asia & Middle East, until these issues are resolved in accordance with popular aspirations.